Volcano Choir - Unmap

After coming out of nowhere last year (well, not nowhere but some cabin in backwoods Wisconsin), Bon Iver gained a loyal following based primarily on the release of that one record. Although he has since issued an EP, it seems as if a true followup is nowhere in direct sight, so fans will have to turn to the collaborative efforts of Bon and experimental band Collection of Colonies of Bees; also known, collectively, as Volcano Choir. Whereas Justin Vernon's utterly haunting (yet heartbreaking) voice is featured throughout, fans of the stripped down acoustics of the Vernon moniker might be turned off by the experimentalism of Unmap. Songs ramble through seemingly random arrangements while odd noises are randomly thrown in here and there. However, the voice is a constant. But can that salvage an album? In this case art surprises substance. Much like many of the "art bands" gaining notoriety nowadays (i.e., Animal Collective, Atlas Sound), Volcano Choir's sound is based primarily on the seemingly pieced together playing of the whole's members (with none being that deft at their instruments). Even the album's most straight-forward song (term being very loosely used) things just kind of go and go and go until it ends. Nonetheless, Bon Iver fans should continue to build anticipation while fans of faux-talented indie rock enjoy; here is Volcano Choir's Unmap.

2.8/5.0

Volcano Choir - Unmap

Consequence - "Whatever You Want"

Kanye's G.O.O.D. Music may not be house to many artists but it definitely seems to prescribe to the idea of "quality over quantity." One of the label's better rappers Consequence (whose debut dates back to A Tribe Called Quest's Midnight Marauders) will be releasing his sophomore album Cons TV before the year's end and for the first single he not only is receiving help from West himself but also John Legend and the directing efforts of the legendary Hype Williams (growing up, thanks to Hype, I saw many a shakin' booties and obscenely glitzy lights all thru fisheyed camera lenses). While the track isn't anything special (seems as though everyone mailed it in on this one) a new Consequence release (album or mixtape) is always welcomed.

Thom Yorke - "Feeling Pulled Apart By Horses/The Hollow Earth"

Thom Yorke is a busy man. When not touring and making albums with his ubergroup, he gets his creativity out via other ways; like releasing singles under the moniker Thom Yorke. The latest offering is a 12" which boasts "Feeling Pulled Apart By Horses" on one side and "The Hollow Earth" on the other. This coming on the heels of his contribution to the Mark Mulcahy cover album as well as volunteering his hand to the soon to be released (and make an absurd amount of money) soundtrack to New Moon. The tracks here are standard Yorke fair with blips, glitches, digital beats which all the while showcase his voice. Needless to say it's good (surprise, surprise when considering the source).

Thom Yorke - FPABH/THE

Mick Boogie + Peter Bjorn & John - Re-Living Thing

The latest Mick Boogie mixtape takes Peter Bjorn & John's Living Thing and turns it into a hip mash-up. It doesn't hurt that he is supported by a strong cast of rappers to round out the project. Well known MCs such as Talib Kweli, Wale, and Bun B (to name just a few) are joined by up-and-comers such as Christian Rich and U-n-i. As to be expected, the results are great. The verses (all of them) are well-handled and Boogie's ability to turn PBJ's Living Thing in a legitimate hip hop album comes as a welcoming mixtape and definitely worth checking out for fans of great rap, a fine mash-up, and/or PBJ.

Mick Boogie + Peter Bjorn & John - Re-Living Thing

No Age - Losing Feeling

California's No Age is one of the more talked about bands of the California experimental/lo-fi/noise movement. The thing that sets them apart from bands like Wavves and HEALTH is simple; they write much better songs. Losing Feeling is a four cut EP that takes a more heavy focus on songwriting and structure while understanding that the listener's attention span can exceed two minutes and 24 seconds (all songs exceed three minutes whereas only 2 of the 11 found on last year's Nouns broke that barrier). Although the trademark feedback is there, it seems to be toned down so that you can hear the duo's vocals. No Age has taken a different direction with this EP, one that displays the talent and range (at times it's hard to believe that only two dudes are accomplishing all this), and the outcome is fresh and leaves anticipation for their next release high.

No Age - Losing Feeling

Mayer Hawthorne - A Strange Arrangement

With A Strange Arrangement, Mayer Hawthorne tries his best to not so much reinvent the soul music of the 60s and 70s but rather emulate it to his best abilities. The problem is his aspirations exceed his vocal talents. Instrumentally, Hawthorne has remained faithful to his idols of yester-decade by creating lush yet simple soundscapes that any Motown member would have been comfortable singing on. However, vocally, Hawthorne sounds half-asleep and his range limited. From the self-titled opening track through, Hawthorne's voice changes very little while sounding only slightly interested in the topic he is singing about (97% of the time it's love in one form or another). Although love is A Strange Arrangement's chief topic, on "The Ills", Hawthorne attempts to channel his Curtis Mayfield by taking his range up and discussing world issues (all over a beat that sounds totally ripped off of Peter Bjorn and John's "Young Folks"), however, much like the album itself, the idea is better than the results. While soul/neo-soul fans will look at this album as a refreshing attempt to revamp the genre, Hawthorne himself is not quite there yet as an artist to fulfill these hopes.

3.0/5.0

Mayer Hawthorne - A Strange Arrangement

Big Boi - "For Your Sorrows"

OutKast's Big Boi has been working on an official solo album (not a split ala Speakerboxxx) for what seems like years now. Just released by Big Boi himself is a new cut from his upcoming Sir Luscious Left Foot: The Son of Chico Dusty. And it's good to hear his voice again. While the chorus is iffy (George Clinton + weed), and the beat sounds lifted from "Walk It Out" (or some other generic, yet catchy, radio single), Big Boi's verses remind you immediately why he has been a top lyricist for over a decade now. Stank you very much and can't wait for a full release.

Jamie T - Kings and Queens

When Jamie T. arrived in 2007 with his debut Panic Prevention, it was received as a breathe of fresh air from an up-and-coming talent (he was only 21). Now, with his second album Kings and Queens, it seems natural that the listener would be in for something a little more mature than his previous effort (plus releasing two well received EPs thus far this year hasn't hurt). Wrong mindstate to take on. Once again, Jamie (in his best slurry Joe Strummer voice and Billy Bragg songwriting impressions) relays stories of heartbreak which lead to raucous nights with less-than-stellar characters (all the while drunk or on way to drunk). While each song draws heavily on hip-hop influences (few things are legitimately sung here), Jamie's ability to write a chorus has improved ("Sticks and Stones" is a pure joy) as has his adoption of the "indie rock" sound (ie., "The Man's Machine"). From beginning to end, Kings and Queens is a great listen; however, it does have it's lulls (are two ballads needed?). But don't let that stop you from enjoying this fresh youth, his dry sense of humor, and knack for storytelling (especially those whose youth is starting to fade as it's a nice record to reminesce to).

3.9/5.0

Jamie T. - Kings and Queens

Kanye + Gaga

Apparently Kanye West has been in the news lately yet he has no album to promote. Just Kanye promoting Kayne (Taylor Swift is also getting a nice little chunk of promotion (blame to Beyonce and that AMAZING video)). Now Mr. West is hitting the road with none other than Lady Gaga (?!). Yup, coming soon to an arena near you. This should be a tour that will be shortly forgotten as Gaga seems like nothing more than a semi-talented yet uber-weird singer (her bisexuality cannot hurt either) who will rely on tabloids rather than record sales in the upcoming years to keep Gaga out there. In order to promote their tour the two have issued a promo video to let you know just how arty/weird/sexy (?) it will be. Seems that fame is a bad thing (but not shameless promoting?).

2010 Rock and Roll Hall of Fame

Time has come to determine which artists are worthy of induction into the prestigious Rock and Roll Hall of Fame. Top contenders include the iconic Kiss (who made excellent albums for about eight years and then, well, become a parody of themselves), Red Hot Chili Peppers, and LL Cool J. Even though that two rap acts have been inducted (Run-D.M.C. and Grandmaster Flash & the Furious Five), it seems odd that LL Cool J would make it in (even the Beastie Boys were declined membership in 2008). Seriously, can they give it to a man who is more well-known for his insane bod (yeah, I said it) than his musical catalogue? I would hope not (although he did have some killer tracks (see below)). Other first time ballot groups/artists include Genesis, Jimmy Cliff, The Hollies, and Laura Nyro. Other names on the ballot, who have been there before, are ABBA, Donna Summers, Darlene Love, the Stooges, and the Chantels. Of the twelve nominees, only five will be inducted.

Charles Hamilton - This Perfect Life

It's amazing when you look at Charles Hamilton's mixtape catalogue not only how proficient he is (check this out) but also the fact that he has no official album. Well, this summer was supposed to bring the masses a true debut but the powers-that-be stalled and stalled on releasing it until finally Hamilton was dropped from Interscope and, consequently, had his album shelved. Well, here it is anyways. This Perfect Life is the album that was not meant to be. Instead, Hamilton must keep striving to get that debut out to the masses. This is usual Hamilton fair; great rapping with less than great productions (all done by Hamilton himself). His mixtape history has shown that Hamilton as a whole shines best when his duties are reserved for the rhyming while someone else take reins of the production. However, for the time being, this XXL member of the 2009 Freshmen 10 will remain just a mixtape wonderkind.

Charles Hamilton - This Perfect Life

The Flaming Lips - "I Can Be A Frog"

Approaching fifty hasn't slowed down Lips' frontman Wayne Coyne down in any creative or weird sense. Check out this video for the song "I Can Be A Frog" off the forthcoming Embryonic (album #12 for the Oklahoma boys) which is slated for an October 13 release date. Although Karen O. (Yeah Yeah Yeahs) is credited as guesting on the track, don't expect any kind of epic collaboration for she only supplies the sound effects for this bizarre video. A chick in a bikini acts out various animals, objects, etc. for 2 mintues; then it's over. Let's hope the entire Embryonic album has a little more to offer.

Roc Raida (1972-2009)

This past weekend turntablism innovator and DJ Roc Raida passed away following spinal complications stemming from an auto accident. During his career (both solo as well as a member of the legendary DJ Crew the X-Ecutioners) Raida gathered praise from critics and peers for his ability to turn the turntable into an instrument and not simply a playing device as well as incorporating physical tricks into his routines. In 1995 he won the DMC World Championship DJ title (one of many awards he won) and from there began to guest on albums by lending his turntable talents to various artists. A recognizable force in the hip-hop world for nearly twenty years, Raida will be missed.

Thom Yorke - "All For the Best"

The latest single from Thom Yorke (with assistance by his slightly less famous brother Andy) is another electronica-inspired track very similar to his previous solo work. Although there are moments of live guitar and drumming, the majority of the music is computer-made. This is not mentioned for negative reasons, however, because this is an excellent song. Originally written by Miracle Legion, this cover song came be found on the Mark Mulcahy tribute album Ciao My Shining Star: The Songs of Mark Mulcahy which is due to come out September 29.

J.Period & K'naan... The Messengers 3 (Bob Dylan)

The third installment of the excellent J.Period/K'naan collaboration "The Messengers" takes aim at America's own (as previous two focused on Kuti and Marley) Bob Dylan. And once again the results are excellent. While it is more different to create hip-hop songs out of Dylan's music (as opposed to the more rhythmic Kuti and Marley), J.Period still manages to bring a head-nodding swagger to Dylan's catalogue (checkout how he turns "Lay Lady Lay" into an easy-going beat). Even though one could not ask for more from a free project, let's hope that K'naan and J.Period don't let this end their collaborative efforts because these two talents possess the ability to create something special when working together.

J.Period & K'naan... The Messengers 3 (Bob Dylan)

Drake - So Far Gone

Well, here it is: an official release from the mega-hyped Drake (as co-authored by the awful Lil Wayne for he guests on 3 songs). Although 5 of the 7 tracks on So Far Gone are just rehashes from his mixtapes, it's still official. Fans of those mixtapes will obviously eat this up as well for it is more of Drake under-utilizing his rhymes and flow (ie., "Fear") and over-utilizing his knack for generic and boring R & B.

Drake - So Far Gone

Beck - Nico & The Velvet Underground (Record Club Version)

The genre-hopping Beck has made a career out of emulating various styles. Whether it be rap, folk, disco, or basic rock 'n roll, he has not only proved to himself and others that he can do it, but that he can do it well. The latest Beck project (does this guy ever take time off?) involves covering an album in its entirety with different artists helping out. For Nico & The Velvet Underground, there are no instantly recognizable names for Beck used his studio/touring band of regular musicians (although actor Giovanni Ribisi (Beck's brother-in-law) is credited). The result is a fine recreation of an undisputed classic album. Odd Beck-isms are thrown in here and there ("Run Run Run" has a new wave vibe) but overall the instrumentation is pretty bare and faithful to the original (sans the "women's touch" as only "All Tomorrow's Parties" has female vocals). A clever, fun listen that reminds you that you need to find your copy of the original Nico & The Velvet Underground and give it a spin.

Beck - Nico & The Velvet Underground (Record Club Version)

Freddie Gibbs - midwestgangstaboxframecadillacmuzik

The latest (and lavishly titled, ahem...Outkast) mixtape from Gary, Indiana's up and coming Freddie Gibbs is more of the same midwest thug music that was found on his earlier 2009 release Miseducation of Freddie Gibbs. This time around, however, there are a lot more guests spots, which do not hamper the release in the least (the collaboration with Atlanta's Pill results in the sweet "Womb 2 the Tomb"). Now with a few solid mixtapes under his belt, it seems that a debut is just around the corner and help put Freddie and Gary, IN on the gangsta rap map. Ok, well at least Freddie.

Freddie Gibbs - midwestgangstaboxframecadillacmuzik

The Pains of Being Pure At Heart - Higher Than the Stars

The self-titled debut (pieced together from a string of singles dating back to 2007 as well as new tracks) from New York's The Pains of Being Pure At Heart was very well received upon it's release earlier this year and will come as no surprise when it appears on various publications' "Best Of 2009" lists. Higher Than the Stars, a recently released EP, works as a nice companion piece to the self-titled LP. Other than the remixed version of "Higher Than the Stars" (which at seven minutes just becomes repetitive and boring), TPOBPAH continued to write catchy shoegaze-inspired pop ditties with this EP (all the while wishing oh-so-dearly that they were English).

The Pains of Being Pure At Heart - Higher Than the Stars

Windmill - Epcot Starfields

Judging from the title, the sophomore release from England's Windmill (which is primarily that of songwriter Matthew Thomas Dillon) might lead one to think Epcot = fun and Starfields = beautiful. However, you would only have gotten one out of two. Epcot Starfields is a gorgeous album which sublimely intersperses piano and strings with Dillon's fragile voice (which is sung in a broken, spoken word-esque delivery reminiscent of The Flaming Lips and Mercury Rev (both of whom it is difficult not to mention in order to draw a comparison)). What Dillon has crafted here on Epcot Starfields is an album which perfectly plays on its frailness and beauty to give the listener a true sense of the emotional swing that Dillon is going through. At times, during the whimsicalness of the tracks, the mood is light, dreamy, and even optimistic but as things build (drums make an appearance during the final minutes of the songs (ie., "Big Boom" "Epcotman") to heighten the atmosphere) so too does the inner struggles/accomplishments that Dillon seems to be dealing with. Epcot Starfields is a great album which requires not only the listener's ear and attention but also their emotions. So much so that during the album's closing moments, as Dillon pleads "let me stand still for a minute," you kind of just want to let him be and collect himself; then wrap your arms around him and congratulate him on a job well done.

4.4/5.0

Windmill - Epcot Starfield

Blitzen Trapper - Black River Killer

2008's Furr helped put Portland's Blitzen Trapper on the radar of both music critics and listeners. The excellent album displayed the talents the band possessed as a lo-fi, country-ish blues indie group with well thought out, memorable lyrics. While no new album has been scheduled yet, Blitzen Trapper did compile an EP to keep their name out their there while an official predecessor to Furr is composed. Black River Killer (which gets it's title from one of Furr's standout tracks, which can also be found here) seems more like a compilation of b-sides from the Furr recording sessions rather than a collection of freshly written tunes (none of the songs exceed 3 minutes with two even failing to reach the 2 minute mark).

Blitzen Trapper - Black River Killer

Fresh Daily - "Untucked Nunchucks"

While other rappers release a slew of mixtapes (Charles Hamilton comes to mind as he has released something like 20 mixtapes) before issuing an official album, Brooklyn's Fresh Daily only has released only the excellent, space trip that was Tomorrow Is Today. The other week, however, Fresh released his debut to the masses (via the High Water label) and it is a nearly flawless album. The Gorgeous Killer in Crimes of Passion is an excellent album (one of the year's best hip hop releases) that will come and go with not nearly enough people giving it the listen it so much deserves. With a great flow, rhymes that are insightful, witty, and, well, just all around impressive, Fresh should top the numerous lists of artists to watch. The first single from Gorgeous Killer is the boastful track "Untucked Nunchucks" which has no chorus but rather showcases Fresh's lyrics as he raps for three minutes straight over an excellent beat (in fact the album is blessed with some great production talents such as 88-Keys, Exile, and Oh No). Appearance-wise, FD is the latest tight-jeaned, graphic t-shirt sporting, wire-rimmed glasses wearer to make it onto the scene (ie., Cudi, Cool Kids, etc.) but beyond the cliche look his lyrical skills are top notch. Here's hoping that 2009 segues into 2010, a year that will give Fresh the press and attention he truly needs.

Blue Scholars - Oof!

The wildly underrated duo the Blue Scholars (Geo (MC) and Sabzi (DJ)) have released another EP to add to their growing catalogue of excellent songs. While the themes here are more of the same tough luck tales, blue collar tirades, brighter future hopefuls, and good old hanging/partying with crew songs, the beats have a definite island-y vibe (the album cover looks like a cheesy postcard one might find in any touristy island shop). Not surprising since the two have spent some time hanging out at our tiny state in the seas (ahem, Hawaii), away from their stomping ground of Seattle. Although a 12 song EP (with no intros or interludes or skits), it is really like 2 EPs packaged together; the first six tracks are vintage MC/DJ tracks while the final six are instrumentals. Hence the idea of two EPs. While the beats are great, they are missing the key element of the ultra-charismatic Geo.

Blue Scholars - Oof!

Phish - Joy

For over a decade now, the four boys in Phish have reigned as the ultimate Kings of the jam band world. But that claim was not because of their studio work. For years they have been a band that has excelled on the road and fizzled in the studio. Their latest album Joy (first in five years because of a "hiatus") follows in the same vein as their previous albums. All the regulars are here: tight muscianship, goofy non-sense lyrics ("Sugar Shack" "Ocelot"), a country boogie ("Kill Devil Falls") as well as a ballad ("Joy"), and a solo or two (heh) are thrown in along the way. But one noticeable difference here is the acceptance by the boys in the band that they are getting old. The opening two tracks both touch of the aspect of time in a genuine (considering the source) way. Even the closer (the excellent "Twenty Years Later"), beyond it's hookey "70's-band-we-can-still-rock-kind-of-anthem," is a catchy, well written song that hits from beginning to end. The final product here with Joy is yet another fun listen that does little to show just how excellent a band these guys are (see them live to adhere to this, trust me (only problem is the inevitable interaction with hippies)) yet still possesses the ability to allow you to sit back, listen, and just enjoy the music.

3.3/5.0

Phish - Joy

J. Period & K'naan Present... The Messengers 2 (Bob Marley)

Bob Marley. Everyone knows who he is. Everyone loves his music. He was, is, and will forever be respected and idolized worldwide; both for his music but also for his messages and ideologies. So it seemed an obvious choice that the next to be featured in the J.Period/K'naan Messengers project would focus on the Jamaican legend. This tape, much like the earlier Kuti-inspired Messengers mixtape, features a mixture in which the artist's catalogue is sampled to serve as the backdrop for K'naan's rhymes (as well as those of the very forgettable guests found on this edition) and uses interludes to give a Bob Marley history lesson and touch on how he influences are still very much felt to this day. And once again it serves K'naan's flow, style, and themes perfectly. Another excellent release from J.Period and K'naan.

J.Period & K'naan Present... The Messengers 2 (Bob Marley)

Ghostface Killah - Stapleton Sex

The always proficient (and constantly out there) Ghostface Killah will be releasing his eighth studio album on the 29th. However, the vibe on this album is supposedly more in the R & B vibe than in the hardcore rap genre. That's right. Tony Starks will be sharing track time with the likes of John Legend, Raheem DaVaughn, and Ne-Yo (among others) for Ghostdini: The Wizard of Poetry in Emerald City. Although a video has been released for the track "Stapleton Sex," considering the song's content, as well as the nature of the video, I honestly cannot imagine this receiving any kind of real promotion. Nevertheless, the always creative Ghostface will definitely give his fans something new (whether it be good or bad) at the end of the month.

BLK JKS - After Robots

2009 started off promising for this South African four-piece. Earlier this year they released an EP, Mystery, which showcased an absurdly talented band (all in the matter of four songs). Then, the late summer came and BLK JKS (Black Jacks) prepared an official full-length debut and, based on the results of Mystery, aspirations were high. Perhaps a little too high. Although After Robots is a solid debut from a band whose talents/ideas seem without end, it falls short from what they are capable of putting together. Splicing together prog/jazz-style drumming and guitar work, African-inspired rhythms, a blasting horn section, and an acute sense of structure, After Robots throws a lot at their listener; in fact, too much. Rather than building off a single idea (per song) to create a fully formed final product, the South Africans delve into their influences too deeply within the same song ("Kwa Nqingetje" sounds chaotic from start to finish) without successfully melding them together. But when ideas are finely placed and their ability to play off one another exemplified ("Standby" and "Banna Ba Modimo" both excel in this; too bad they occur early in the album's run) is when BLK JKS proves that they deserve all the publicity and hype they have received thus far in 2009. While not a complete disappointment, After Robots leaves something to be desired from future BLK JKS releases.

3.7/5.0

BLK - JKS - After Robots

Sunset Rubdown - "Black Swan"

Sunset Rubdown released one of the year's best albums so far with their LP Dragonslayer. For the track "Black Swan" the band decided to get all promotional-like and make a video. However, this is Sunset Rubdown and to call them a little unconventional would be, well, unconventional. Whereas most music videos have a theme or show the band in all their live, performing glory, this video plays more like a 7 minute long ode to screensavers than an actual music video. With repeating images which stay in tempo with the song and a lot of skeletons (?), the video is pretty much what one would expect from these Canadians.

Fashawn - The Antidote

California's Fashawn will be releasing his first full-length Boy Meets World next month (October 20th) and will be accompanied by Exile for the production. However, that has not stopped Fashawn from releasing one more mixtape prior to his debut. The Antidote is a very brief (11 tracks and roughly 20 minutes) offering that does little but put his name out there one last time prior to officially releasing an effort (and having The Alchemist put it together can't hurt). Although he is from the west coast, his influences seem to be mostly east coast (ie., Tribe Called Quest, Talib, Mos, De La Soul, as well as other more "conscious" style rappers). If Exile can create an album that suits Fashawn's style (in the same way he was able to accompany Blu the other year), listeners will be in for a treat.

Fashawn - The Antidote

Grizzly Bear & Michael McDonald - "While You Wait For the Others"

The latest single from critical darlings Grizzly Bear was recently released as a 7" single with the original version of "While You Wait For the Others" on one side and the same song except lead vocals are taken over by Steely Dan/Doobie Brother Michael McDonald on the b-side. The track works surprisingly well given that it is the same instrumentation (not some juiced up Motown style thing that McDonald has become notorious for in his later years) and McDonald's voice fits. Although it's hard to think of McDoanld these days without recalling this 40-Year Old Virgin clip, the distinctly voiced McDonald gels well with these Brooklynites.

Raekwon - "Walk Wit Me"

In 1995, Raekwon released a 90s classic in Only Built 4 Cuban Linx. With the help of fellow Wu members RZA and Ghostface, they were able to craft a cinematic album. The listener could transfer themselves (regardless of their suburban-ness or lack of what cocaine really looked like) into the seedy world that Chef and Killah detailed with the help of RZA's rugged beats (strings, samples, etc...all you would expect of early RZA). Since it's release, an official followup has been anticipated by fans for the past decade-plus. Even though it does not hold a candle to its predecessor (much like the recently released Blueprint 3 pales in comparison to the original) it is still a fresh release that takes you right back into the underworld that Raekwon created fourteen years ago. Although this track isn't found on the album, "Walk Wit Me" follows in line with the rest of Only Built 4 Cuban Linx Pt. 2.

(Side note: Kind of weird seeing Raekwon (and his 39 years and extra lbs.) and thinking that it has been nearly two decades that Wu first blasted upon the hip-hop scene.

J.Period & K'naan Present... The Messengers 1 (Fela Kuti)

The first in what appears to be a series of mixtapes by perhaps the greatest Somalian-Canadian rapper ever (K'naan) and Brooklyn's mixtape guru J.Period. Featured on the first volume is Nigerian afrobeat godfather Fela Kuti. Known not only for his musical background but involvement in social and political issues, Fela was a global music icon. By sampling his music the duo of K'naan and J.Period have crafted a nice mixtape that serves as a kind of history lesson of Fela himself while mixing in some serious sociopolitical rhyming. The result is something more enjoyable than even K'naan's solo releases. Definitely worth checking out for the combination of afrobeat soundscapes (courtesy of Fela) and top-notch rhyming (courtesy of K'naan).

J.Period & K'naan Present... The Messengers 1 (Fela Kuti)

Los Campesinos! - The Sea Is A Good Place To Think About the Future

After releasing not one but two excellent albums in 2008, the Welsh seven-piece Los Campesinos! (yes, ! included) deservedly should be taking a break; however, that is not the case. In between touring (and they put on an excellent show) they have began creating their third album which has no street date yet but a new track (and video) has been issued that gives an idea of what the new album will sound like. Whereas the first two albums were loaded with short, party-friendly tunes, this new track explores a darker, more emotional side of Los Campesinos! not found on the previous albums. The result: a great track with signs that the band will be able to stray from their power-pop sound and still succeed in making great songs.

Datarock - Red

To say that the Norwegian duo Datarock is into the 80s would be an understatement. These two revel in the era. From their trademark red tracksuits to their releases, one cannot escape the 80s theme. Here on Red they keep up the same vibe they created with their debut release in 2005. Borrowing heavily from their 80s influences (Talking Heads' angular rhythms and rolling basslines, Police-esque reggae, Morrissey impersonations), Datarock have crafted another fun release full of synths and off the wall lyrics (a whole song devoted to 80s starlet Molly Ringwald?! (aptly titled "Molly")). The Talking Heads ode is a little more subtle even though the entire song is made up of their lyrics ("True Stories"). But no matter which artist they are emulating (or straightup ripping off), the mood is constant: upbeat (ie., "Dance!"). Although not setting the standard for electro-pop, just try to not get into these songs ("The Pretender" is prime Datarock with an excellent beat, catchy hook, bouncy synths, and tongue-in-cheek lyrics). Long live the 80s.

3.8/5.0

Datarock - Red

Bonnie "Prince" Billy - Chijimi

Will Oldham (aka, Bonnie "Prince" Billy) releases material faster than his beard can grow and his hairline can recede. His latest is yet another low-key recording which showcases his ability as a songwriter as well as his passion for Americana. Acoustic and slide guitars, violins, and vocals (both his as well as an accompanying female) are about all that is offered up here on the 4-song EP Chijimi. This simpleness is suited perfectly for Oldham's somber lyrics and mild voice. In contrast to the slow and aged feel of this release, the video for "How About Thank You" (opening track on Chijimi) has two heated DDR (Dance Dance Revolution) counterparts going at it for the ultimate prize (at least to them).

Bonnie "Prince" Billy - Chijimi

I am T-Pain

It's official: the iPhone app thing is officially out of control. Although a number of them are very useful and cool, the number which are lame and pointless is far greater. The other day a friend told me that they had downloaded a glowstick app in order to "use" it at a jammy electronica (ugh) show. As if glowsticks aren't lame enough, an app in needed to simulate the excitement and awesomeness of the real thing? But this one takes the cake; a T-Pain app so that yes, you too, can sound like the talentless, um, artist (?). Is it possible that Jay-Z has purchased it for his phone yet?

http://iamtpain.smule.com/

Spree Wilson - Evil Angel

Atlanta will once again be hosting their annual AC3 Hip Hop Festival next month with a slew of artists to represent the genre. One of the bigger names to be showcased is Atlanta's own B.o.B. who will also be sharing the bill with (among others) local artist Spree Wilson. Material carrying Spree's name is few and far between but he has an EP under his belt: Evil Angel. Although only six songs, it still gives an idea of what kind of path Spree looks to take as an artist. With a strong R & B influence, Spree seems focused more so on a hook and song structure (live instruments are used regularly on this EP) than his lyrics/flow ("I Believe She's Lying" contains no rapping as well as the ironically titled "Chaos"). But when he does he has a kind of positive, easy-going style of early "old school" style rapping (ie., "WORD!" and the closer "Goodbye"). Hopefully, his positive attitude and go-with-the-flow persona translates into an impressive live show for this EP offers very little to its listener.

Spree Wilson - Evil Angel

HEALTH - Get Color

Define noise rock. Hasn't rock itself been labeled as noise since it's inception? Well, this LA four-piece better helps to put a sound with this sub-genre. From the opening seconds of Get Color, HEALTH lets the relentless drumming, obscure feedback, and dream-like vocals commence and doesn't let up until the album's somewhat out-of-place closer "In Violet." To say things are sometimes chaotic (see opening seconds of "Severin" for complete and utter chaos) on this album would be a completely sound statement but they are also able to lock into a groove and create approachable songs (most notably in the album's second track "Die Slow"). However, the whole marching/driving/relentless drumming becomes mundane during the album's later tracks (plus the addition of squealing vocals/feedback doesn't much help) which all culminates in the previously mentioned (and oddly included) final song. Fans of early Deerhunter as well as Animal Collective will enjoy HEALTH's use of repetition and echoey (and indecipherable) vocals but all others who found those (wholly pretentious) bands not to their liking will do best to steer clear of this one.

3.2/5.0

HEALTH - Get Color

Havoc - From Now On

Although Mobb Deep is on a kind of hiatus (with co-member Prodigy serving a three and a half year jail sentence), that has not stopped Havoc from remaining creative. His latest effort is a mixtape entitled From Now On that explores the same street themes common of every Mobb Deep release over the past fifteen years (violence, drugs, ladies, being a target, inevitable death). While some tracks are downright lame (a whole song about making a sex tape!?), things are short and tight throughout ("That's How You Feel" might be the hottest 77-second track ever) with some tracks lasting just long enough for Havoc to drop a verse. Short on guest appearances (except the last few tracks which are pulled from other releases), this also helps to keep things moving along. Although it is a Havoc release, there are still moments in which he acknowledges his partner ("Letter to P") and prove that although the Mobb Deep career has been full of ups and downs, this is a smooth little mixtape to add to their overall catalogue.

Havoc - From Now On

Hail Mary Mallon - "D-Up"

Definitive Jux has for years been acknowledged as a true underground hip hop label who takes pride in being described as such. And for the length of his career Aesop Rock has been part of that movement (underground, only with Def Jux for last few years). Known for his complex and way-far-out lyrics (which at times makes you feel stupid for the fact that you have no idea what he is talking about), he has regularly produced material as a rapper and lately as a producer (most recently it was released that he will take the boards for the latest Slug/Murs Felt installment). Regardless, he has a great flow and an unmistakable voice. Here he has teamed up with Bronx's Rob Sonic (who revels in the same kind of thought-provoking, mind-bending lyrics that Aesop subscribes to) to create the duo Hail Mary Mallon. Although with no official release (EP or otherwise), their first single can be found on the Definitive Jux Presents...Vol. 4. It's the trip you'd expect from these two ace lyricists and the video is just as far out as their rhymes.

Future of the Left - "The Hope That House Built"

Welsh band Future of the Left's second album Travels With Myself and Another has been a standout of 2009. The short, yet excellent, album rips through its running time with a punk-like intensity but surrounds itself in a more alternative/indie environ. A quickly paced album (except for the acoustic, tongue-in-cheek closer "Lapsed Catholics") full of jagged rhythms and surprisingly sensitive lyrics, Travels gives listeners a number of different impressions on it's style (which all point to "well done"). This video for the single "The Hope That House Built" is a march-like track set in the perfect setting for these lads: a bar. Fully of odd imagery and aptly casted locals (giving a nice impression of the attractiveness of folk of Wales) the song bounces along and is catchy as hell.

Big Sean - U Know Big Sean - Finally Famous Vol. 2

G.O.O.D. Music's (Kanye's label) Big Sean has made appearances here and there; most notably on tracks by fellow labelmates such as West and Consequence. With a debut on the horizon, Big Sean's latest (and second) mixtape displays exactly why Kanye would want him on his label; they are nearly the same lyricist. Both are absurdly braggadocious, both have a laidback drawl/flow, each is witty with their analogies/general wordplay, and both share the same interests, ie. money, women, and flaunting the fact that they have them (or in the process of obtaining $$ or women). With a number of snippets (of the upcoming album), freestyle moments and spoken word/skit interludes, the album is all over the place. But as an artist (and a talented one at that), a lot is to be expected in his debut album.

Big Sean - U Know Big Sean - Finally Famous Vol. 2

jj - "Ecstasy"

The debut by Swedish jj has received positive reviews across the board. The album borrows from a number of different genres but does so in a slow, almost trip-hop-like way. Upon a listen, jj no 2 is little more than a good chillout offering (imagine a "chill" album from something whose cover art looks like this). But there was one moment that stuck out immediately early on, it was a pop-sounding synth running on 1/8 notes with an all too recognizable bass/drum line. And anyone who even walked by a bar/club or listening to any sort of top 40 radio station during the summer of 2008 will also recognize it; Lil Wayne's (ugh) "Lollipop." By immulating the track (with dreamy vocals which still manage to keep the party theme intact), it is pretty sweet how such a club song could be both: a dreamy piece of indie pop as well as have enough of a beat to keep heads bouncing.

Destroyer - Bay of Pigs

With a slew of albums under Dan Bejar's belt via different outlets (Destroyer, New Pornographers, Swan Lake, Hello Blue Roses), it is safe to say that Destroyer is all his. Over the course of Destroyer's career (Bejar), he has embraced a kind of indie rock/pop all his own. With a trademark voice (soothing, yet powerful) the albums have been a steady run of similar styles as well as themes. The Bay of Pigs EP takes Destroyer in a whole different direction entirely. Although labeled as an EP, this is more a less a single (released as a '12 vinyl, two tracks) but the kicker is that the title track runs nearly fourteen minutes with the accompanying "Ravers" approaching eight. But forget about "Ravers" (it is a passable track all together) for the true masterwork here is "Bay of Pigs." Shifting from an ambience-y intro and moving through disco-esque drums, rolling synths, lightly strummed acoustic guitars and coming full circle around for a eerie ambient driven outro, the track is a true piece of art. Throughout all the shifting phases, Bejar sings of life and love while highlighting the ups and downs of each. As a single track, it's long, pretentious, and, well, long but as a work of (musical) art, it is a triumph.

4.6/5.0

Destroyer - Bay of Pigs